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Merchant of Venice Tweet Alignments

Mixed Needs Review source map packet

Topic: Merchant of Venice Tweet Alignments

Source-Control Position

Status-Control Position

1. Verified Sourced Facts and Quoted Source Passages

The “infinitely + bound/tied” construction in Shakespeare

The images attached to this tweet show a concordance search for “infinitely” across Shakespeare's works. The directly visible examples are:

The two uses with binding/tying words — Merchant of Venice (“infinitely bound”) and Cymbeline (“infinitely tied”) — are the constructions highlighted by Feinstein as distinctive.

Neville's usage

Feinstein's tweet proposes two parallel constructions in Neville's letters:

Worker I source check updates this: infinitely beholden is verified in letter_044; infinitely entangled remains unverified in the v8 XML and should not be cited as a Neville phrase until located in another witness.

2. Ken Feinstein Twitter and Blog Information

2 Oct. 2021

3. Citations

4. Notes on Access

2026-07-14 Deep-Research Update: printed witness and corpus correction

The printed Winwood witness has now been inspected directly at page-image resolution. Page 142 reads:

acknowledging himselfe infinitely beholden to her, and that he would ever remaine her Serviteur.

This is Neville's report of the French king's response after Neville pressed the queen's financial and diplomatic claims. It is not Neville calling himself beholden.

Folger's play text reads:

BASSANIO

I thank you, madam. Give welcome to my friend.

This is the man, this is Antonio,

To whom I am so infinitely bound.

PORTIA

You should in all sense be much bound to him,

For, as I hear, he was much bound for you.

A pre-1601 exact EarlyPrint surface search finds six works containing "infinitely bound": TCP A03893 (1588), A12229 (1590), A07683 (1597), A06447 (1598), A08550 (1598), and Merchant Q1, A68727 (1600). The construction was therefore available in print and is not a rare exact match. The closest functional comparator is A03893, a French political tract in which a king is "infinitely bound" to a woman for assistance in gaining his crown.

The comparison remains worth documenting because both passages stage extreme obligation, but the distinctions matter: Neville reports a king as "infinitely beholden" to Elizabeth in diplomatic prose; Bassanio says he is "infinitely bound" to Antonio and Portia immediately turns "bound" into a debt/surety pun. "Infinitely entangled" remains unlocated in the current Neville corpus and should be removed from any statement of Neville fact.

Sources: page_127.png; act 05 scene 01; EarlyPrint computational index.

5. image witnesses

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