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Richard Field

Mixed Needs Review evidence packet

Topic: Richard Field

Quoted Source Passages

1. B12045 Controls the Love's Martyr Title Route

"Loves martyr: or, Rosalins complaint"

2. B12045 Supplies the R. Field / E. Blount Metadata Imprint

"Imprinted [by R. Field] for E. B[lount]"

3. B12045 Records the Shakespeare Phoenix-and-Turtle Context

"The phoenix and the turtle"; "Threnos" by William Shakespeare

4. A02622 Controls the Time Is a Turne-Coate Title

"Time is a turne-coate. Or Englands three-fold metamorphosis"

5. A02622 Gives a Second Field Metadata Imprint

"Printed [by R. Field] for I. H[anson?]"

Source-Control Position

Status-Control Position

1. Verified Sourced Facts

Imprinted [by R. Field] for E. B[lount]

Printed [by R. Field] for I. H[anson?]

2. Ken Feinstein Twitter and Blog Information

“Obvious parallels between this Ignoto poem and Rosalins Complaint.”

“Time is a Turne-Coate takes specific phrases directly from the Ignoto poem.”

Current evidence note: preserve as tweet claim only pending phrase comparison.

“Time is a Turne-Coate also takes phrases from the Ignoto poem of Love’s Martyr.”

“This is a false title page. It wasn’t printed in Middleborough.”

“Here Henry Neville proposes publishing a book with a false title page.”

“Remember Richard Field printed both Love’s Martyr and Time is a Turne-Coate. Neither was entered into the Stationers Register. Both have murky authorship.”

Current evidence note: preserve as tweet claim only pending direct Stationers' Register check.

3. Citations

4. Notes on Access

5. image witnesses

Image 1
Image 1
Image 2
Image 2

6. Direct Text and Bibliographical Audit, 13 July 2026

The complete eleven-image Twitter thread has now been recovered and inspected, and its phrase claims have been checked against the EarlyPrint/TCP texts. Plain-text controls are preserved as A19921 plain, A18592 plain, and A02622 plain.

The textual parallels are genuine and more extensive than the original two-image packet showed:

1599/1601 textTime is a Turne-Coate (1604)
Epigrammes and Elegies, Ignoto: “I’le freely spend my Thrise decocted bloud.”“To gormandize on their decocted bloud.”
Love’s Martyr: “THe siluer Vault of heauen”“The siluer Vault with Epods deepe resounds”
“the foule-maskt-Ladie, Night”“the foule-maskt gloomie Night”
“one sicke Phoebe, feuer-shaking Light”“Phoebe’s feuer-shaking Light”
“holy-heated fires” and “the inward roome of mans Desires”“Perfume the inward roomes … With sauours sweet, and holy-heated Fires”

Local lemma-phrase searches deepen the result. Exact silver vault occurs in the relevant EarlyPrint index only in A02622 and A18592; exact decoct blood occurs only in A02622 and A19921. These are corpus observations within the installed EarlyPrint collection, not universal claims about all surviving early-modern print. Orthographic and hyphenated compounds require separate surface-spelling searches, so no inflated count is assigned to the other parallels.

The printer claim needs one important bibliographical qualification. The Folger catalogue record for STC 5119, *Loves Martyr*, gives the imprint London: Imprinted for E.B., 1601 and records the STC attribution “Printed by Richard Field for Edward Blount.” Field’s name is not printed on the title page. Likewise, the local A02622 metadata says [by R. Field]—brackets matter because this is a bibliographical attribution, while the title page itself says the book was printed for I.H.. The connection is therefore substantive but not a pair of openly Field-signed title pages.

The Winwood passage shown in the thread is also real but separate. On printed p. 124 Neville discusses a proposed book that could be “printed in England, though bearing the Name of Douay or som other Place.” The immediate subject is the circulation of Pasquier’s anti-Jesuit work. That letter documents Neville’s knowledge of false-place printing as a tactic; it does not name Field, Love’s Martyr, or Time is a Turne-Coate and cannot by itself authenticate either imprint.

The resulting research avenue is stronger and narrower than the original thread claim: two books bibliographically attributed to Field share a cluster of unusually specific poetic language, and Neville independently discussed false-place printing. The next tasks are to identify the compositor/paper/type evidence behind the Field attributions, establish the issue history of A18592, and search for intervening uses of each phrase between 1599/1601 and 1604. Authorship should not be assigned from phrase transmission alone.

An open-access page-image witness for Grosart’s edition of Love’s Martyr is available through Internet Archive/Wikimedia; it should be used for page images, not as a substitute for the Folger/STC bibliographical description.

The project already holds an original-edition page-image witness for Love’s Martyr, and that internal control is now linked here rather than left isolated in a separate research directory:

The public landing page is Internet Archive, *Love’s Martyr* (1601). This witness should now be the first place to verify title-page wording, signatures, page sequence, and the phrase passages. The Grosart reprint remains useful for reading and navigation but should no longer stand in for the original print when an image of the 1601 witness is available.

The packet also needs an explicit link to the dedicated phrase-transmission analysis: richard field rare phrase transmission 1599 1601 1604. That topic contains the more specialized corpus work; this person packet should retain the bibliographical map, image witnesses, and publication-history cautions.

The Folger catalogue remains the authority for the distinction between title-page imprint and bibliographical attribution: record 161456 prints Imprinted for E.B. and supplies the STC attribution to Richard Field for Edward Blount. Field’s name must not be described as visibly printed on the title page.

No equivalent public original-image witness for Time Is a Turne-Coate was secured in this pass. That is an acquisition target, not a reason to remove the existing text and metadata controls.