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Richard Field the Stratford Printer (d. 1624)

Mixed Ready evidence packet

Topic: Richard Field the Stratford Printer

Identity guardrail: the printer is not Neville's clerical friend

This packet concerns Richard Field the Stratford-born London printer, baptized in 1561 and dead in 1624. It does not concern Dr Richard Field (1561–1616), the theologian, rector of Burghclere, prebendary of Windsor, and dean of Gloucester.

The direct Neville friendship belongs to the cleric. Nathaniel Field's 1716–17 biography says that Dr Field “often visited Sir Henrie Nevill” and preserves a Neville daughter's recollection that her father “rejoiced in no Mans Companie more” and was “in a manner overjoyed” when Field arrived. That evidence is documented in richard field cleric neville friendship.

The printer's controlled identity is different:

The British Book Trade Index gives the printer's death year as 1624 and records his apprenticeship, London addresses, succession to Vautrollier, and Stationers' Company offices. A. E. M. Kirwood's standard study is explicitly titled “Richard Field, Printer, 1589–1624”.

Why the confusion is especially easy

Both men were born in 1561. A current Shakespeare Documented aggregation page is headed “Field, Richard, 1561–1616”, but the documents beneath the heading concern the Stratford printer's 1593 and 1594 Stationers' Register transactions. The heading has attached the cleric's death year to the printer's documents. Individual records on that site remain valuable, but the lifespan in the shared heading must not be copied.

The printer's securely documented Shakespeare role

Shakespeare Documented reproduces the 18 April 1593 Stationers' Register entry in which Richard Field, written “ffeild,” entered Venus and Adonis. The 1593 title page reads “Imprinted by Richard Field,” and the 25 June 1594 register entry records Field's transfer of the copy to John Harrison the elder. The Bodleian title-page image and catalogue description directly control the first edition.

Field also printed Lucrece for John Harrison in 1594. These are direct, overt printer associations with Shakespeare's narrative poems. They must be distinguished from the bracketed bibliographical attributions discussed below for Love's Martyr and Time Is a Turne-Coate.

Selected literary and scholarly printing

Field's importance is much broader than two Shakespeare poems. His press participated in the production of books that recur throughout the Neville research:

DateBookNature of the Field connection
1589George Puttenham, The Arte of English PoesiePrinted by Richard Field; the book's discussion of courtly and concealed writing makes it central to the project's publication-history questions.
1591Sir John Harington, Orlando Furioso in English Heroical VersePrinted by Field; a major English route into Ariosto.
1593Shakespeare, Venus and AdonisField entered the copy and is named in the imprint.
1594Shakespeare, LucrecePrinted by Field for John Harrison.
1595Thomas North, The Lives of the Noble Grecians and RomanesField's expanded Plutarch printing; relevant to the plays' source history and Neville's own Plutarchan language.
1596Edmund Spenser, The Faerie QueeneCatalogue and device evidence assign the printing to Field for William Ponsonby.
1601Robert Chester, Love's MartyrSTC/Folger attribution “Printed by Richard Field for Edward Blount”; the title page itself says only “Imprinted for E.B.”
1602Thomas Campion, Observations in the Art of English PoesiePrinted by Field for Andrew Wise.
1604John Hanson, Time Is a Turne-CoateCatalogue metadata supplies [by R. Field]; the bracketed attribution requires physical bibliographical control.
1624Camden's Annales in French translationThe old Dictionary of National Biography identifies this as the last book known to bear Field's imprint.

The table combines openly named imprints with later bibliographical attributions. It is not permission to flatten those two kinds of evidence. Where a printer name is bracketed in STC or a catalogue, the brackets must remain visible.

Field's shop operated within a trade in which printer, bookseller, copyright holder, and financial publisher could be different people. “Printed by Field” must not automatically be expanded to “published, commissioned, edited, or authored by Field.”

Relation to Neville

No direct personal meeting, friendship, letter, or household visit between the printer and Henry Neville is presently controlled. The printer matters to the Neville project through books, stationers, poetic texts, and possible transmission networks. The documented repeated visitor to Neville's house is Dr Richard Field the cleric.

This distinction changes how the evidence should be phrased:

Quoted Source Passages

1. B12045 Controls the Love's Martyr Title Route

"Loves martyr: or, Rosalins complaint"

2. B12045 Supplies the R. Field / E. Blount Metadata Imprint

"Imprinted [by R. Field] for E. B[lount]"

3. B12045 Records the Shakespeare Phoenix-and-Turtle Context

"The phoenix and the turtle"; "Threnos" by William Shakespeare

4. A02622 Controls the Time Is a Turne-Coate Title

"Time is a turne-coate. Or Englands three-fold metamorphosis"

5. A02622 Gives a Second Field Metadata Imprint

"Printed [by R. Field] for I. H[anson?]"

Source-Control Position

Status-Control Position

1. Verified Sourced Facts

Imprinted [by R. Field] for E. B[lount]

Printed [by R. Field] for I. H[anson?]

2. Ken Feinstein Twitter and Blog Information

“Obvious parallels between this Ignoto poem and Rosalins Complaint.”

“Time is a Turne-Coate takes specific phrases directly from the Ignoto poem.”

Current evidence note: the later direct-text audit confirms a real cluster of distinctive verbal reuse, while leaving the route and agent of transmission unresolved.

“Time is a Turne-Coate also takes phrases from the Ignoto poem of Love’s Martyr.”

“This is a false title page. It wasn’t printed in Middleborough.”

“Here Henry Neville proposes publishing a book with a false title page.”

“Remember Richard Field printed both Love’s Martyr and Time is a Turne-Coate. Neither was entered into the Stationers Register. Both have murky authorship.”

Current evidence note: preserve the printing statement as a bracketed bibliographical attribution, not two signed imprints; the negative Stationers' Register claim still awaits direct register control.

3. Citations

4. Notes on Access

5. image witnesses

Image 1
Image 1
Image 2
Image 2

6. Direct Text and Bibliographical Audit, 13 July 2026

The complete eleven-image Twitter thread has now been recovered and inspected, and its phrase claims have been checked against the EarlyPrint/TCP texts. Plain-text controls are preserved as A19921 plain, A18592 plain, and A02622 plain.

The textual parallels are genuine and more extensive than the original two-image packet showed:

1599/1601 textTime is a Turne-Coate (1604)
Epigrammes and Elegies, Ignoto: “I’le freely spend my Thrise decocted bloud.”“To gormandize on their decocted bloud.”
Love’s Martyr: “THe siluer Vault of heauen”“The siluer Vault with Epods deepe resounds”
“the foule-maskt-Ladie, Night”“the foule-maskt gloomie Night”
“one sicke Phoebe, feuer-shaking Light”“Phoebe’s feuer-shaking Light”
“holy-heated fires” and “the inward roome of mans Desires”“Perfume the inward roomes … With sauours sweet, and holy-heated Fires”

Local lemma-phrase searches deepen the result. Exact silver vault occurs in the relevant EarlyPrint index only in A02622 and A18592; exact decoct blood occurs only in A02622 and A19921. These are corpus observations within the installed EarlyPrint collection, not universal claims about all surviving early-modern print. Orthographic and hyphenated compounds require separate surface-spelling searches, so no inflated count is assigned to the other parallels.

The printer claim needs one important bibliographical qualification. The Folger catalogue record for STC 5119, *Loves Martyr*, gives the imprint London: Imprinted for E.B., 1601 and records the STC attribution “Printed by Richard Field for Edward Blount.” Field’s name is not printed on the title page. Likewise, the local A02622 metadata says [by R. Field]—brackets matter because this is a bibliographical attribution, while the title page itself says the book was printed for I.H.. The connection is therefore substantive but not a pair of openly Field-signed title pages.

The Winwood passage shown in the thread is also real but separate. On printed p. 124 Neville discusses a proposed book that could be “printed in England, though bearing the Name of Douay or som other Place.” The immediate subject is the circulation of Pasquier’s anti-Jesuit work. That letter documents Neville’s knowledge of false-place printing as a tactic; it does not name Field, Love’s Martyr, or Time is a Turne-Coate and cannot by itself authenticate either imprint.

The resulting research avenue is stronger and narrower than the original thread claim: two books bibliographically attributed to Field share a cluster of unusually specific poetic language, and Neville independently discussed false-place printing. The next tasks are to identify the compositor/paper/type evidence behind the Field attributions, establish the issue history of A18592, and search for intervening uses of each phrase between 1599/1601 and 1604. Authorship should not be assigned from phrase transmission alone.

An open-access page-image witness for Grosart’s edition of Love’s Martyr is available through Internet Archive/Wikimedia; it should be used for page images, not as a substitute for the Folger/STC bibliographical description.

The project already holds an original-edition page-image witness for Love’s Martyr, and that internal control is now linked here rather than left isolated in a separate research directory:

The public landing page is Internet Archive, *Love’s Martyr* (1601). This witness should now be the first place to verify title-page wording, signatures, page sequence, and the phrase passages. The Grosart reprint remains useful for reading and navigation but should no longer stand in for the original print when an image of the 1601 witness is available.

The packet also needs an explicit link to the dedicated phrase-transmission analysis: richard field rare phrase transmission 1599 1601 1604. That topic contains the more specialized corpus work; this person packet should retain the bibliographical map, image witnesses, and publication-history cautions.

The Folger catalogue remains the authority for the distinction between title-page imprint and bibliographical attribution: record 161456 prints Imprinted for E.B. and supplies the STC attribution to Richard Field for Edward Blount. Field’s name must not be described as visibly printed on the title page.

No equivalent public original-image witness for Time Is a Turne-Coate was secured in this pass. That is an acquisition target, not a reason to remove the existing text and metadata controls.